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This is what Quentin is, we start to see, and what Southerners are or used to be: walking concatenations of stories, drawn or more often inherited from the chaos of the past, and invested here with a special, doom-laden meaning, the nostalgia that borders on nausea — the quality that most truly sets the South apart from other regions, its sheer investment in the meaning of itself.
— John Jeremiah Sullivan, on Absalom, Absalom for the New York Times
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